Heavy with quiet, Harp’s debut album invokes Sussex fields to muse on creative loss, loneliness and bittersweet new love. Inspired by William Blake, Herstmonceux Castle and the Cure’s Faith – possibly the Crawley band’s most desolate record – Tim Smith and Kathi Zung craft a barren landscape out of 80s-indebted reverb, ghostly vocals and sharp, tinny drums. It feels like a permanent twilight.
