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The Guardian - UK
The Guardian - UK
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Nels Abbey

Hip-hop gave us Public Enemy, Lauryn Hill, Kendrick Lamar: after 50 years, this music demands proper respect

People dancing at a 50 Years of Hip-Hop celebration block party in New York on 5 August.
People dancing at a 50 Years of Hip-Hop celebration block party in New York on 5 August. Photograph: Kena Betancur/AFP/Getty Images

On 11 August 1973, Clive Campbell (popularly known as Kool Herc), an 18-year-old DJ, hosted a party at 1520 Sedgwick Avenue in the Bronx. Unbeknownst to the men and women dancing the night away, they were witnessing the birth of a socioeconomic and political miracle, which came to be known as hip-hop.

If you consume rap music in a fleeting manner – possibly via the gatekeepers of commercially focused entertainment conglomerates – then you may find the point above easy to scoff at. Indeed, you may consider hip-hop a problematic musical phenomenon, typified by bling, boisterousness, violent beefs, exaggerated drug tales and bikini-clad women, all set to banging beats.

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