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The Conversation
The Conversation
Lorna Stevens, Senior Lecturer (Associate Professor) in Strategic Marketing, University of Bath

Hamnet’s forest witch: how Agnes Hathaway chimes with the growing interest in ‘green witchcraft’

The 2026 Oscars saw Jessie Buckley win best actress for her searing portrayal of a mother’s grief in Hamnet. But the film is also a story about a “green witch”, for Agnes Hathaway is no ordinary woman. She is a herbalist, healer and daughter of a “forest witch”.

In Maggie O'Farrell’s prize-winning novel of the same name, we first meet Agnes in her “witch garden” as her stepmother disparagingly calls it. We learn of her love of nature and that she has the gift of second sight, tuning into nature’s signs. There are other hints too: she has a “familiar”, a kestrel, which represents Agnes’s wild nature.

When her future husband Will Shakespeare first meets her he is struck by her direct gaze, her almost masculine energy. Her searching fingers grip the flesh between his thumb and forefinger to glean his essence. Agnes is independent, unruly, a creature of the forest. In the film’s opening scene she is curled up asleep among the tangled roots of a huge tree which serves as an arresting motif in the film.

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