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The Guardian - UK
The Guardian - UK
Entertainment
Michael Downes

Groping, greed and the lust for great power: what Wagner’s Ring Cycle tells us about Trump v Harris

Alberich (Christopher Purves) eyes the prize in the Royal Opera House’s staging of Das Rheingold.
Greed … Alberich (Christopher Purves) eyes the prize in the Royal Opera House’s staging of Das Rheingold. Photograph: Monika Rittershaus/Royal Opera House

‘America is ready for a new chapter,” Barack Obama declared to the Democratic National Convention in August, “America is ready for a better story.” Many would agree, but as commentators try to explain the bewildering reversals and bizarre dynamics of this long and unprecedented election campaign they have often instead reached for stories that are old and familiar.

Shakespeare has been a popular reference point: Joe Biden has frequently been compared to King Lear in his reluctance to relinquish power, Donald Trump to everyone from Richard III to Macbeth. Yet a rather different form of drama, ostensibly less realistic and less obviously relevant to contemporary politics, may in fact offer analogies that are more illuminating still.

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