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The Guardian - UK
The Guardian - UK
Entertainment
Rebecca Nicholson

Goodbye, Queer Eye: pure comfort TV that’s too fabulous to exist in this world any more

The Queer Eye team cross a street emblazoned with a Pride rainbow flag
Farewell fab five … Antoni Porowski, Jonathan Van Ness, Tan France, Karamo Brown and Jeremiah Brent in Queer Eye. Photograph: Kit Karzen/Netflix

In 2018, hopes were not high for Queer Eye. Having dredged the sea floor of early 00s nostalgia, Netflix announced that it had reimagined Queer Eye for the Straight Guy, a makeover series that churned out 100 episodes between 2003 and 2007. In it, switched-on gay men had told clueless straight men how to dress, act and behave. Fifteen years after it debuted, however, that concept felt like a relic. At best, it was a testament to an era in which queer representation on screen was still rare and mostly dealt in unthreatening stereotypes. Bringing it back sounded unpromising, like yet another dead-end television reboot.

When Queer Eye launched, however, it had undergone a makeover of its own, and confounded most expectations. It chopped the name in half, ditched the focus on straight men as its subjects – though, ever inclusive, they were very much part of it – and dragged itself into a more emotionally literate and sensitive era. The five men at its core did fashion and style, of course, but they were delicate about it. The idea was not to shame people for their bodies or personal taste – a common feature of early 00s makeover shows – but to give them a helping hand, lift them out of the doldrums and make them feel as if they and their lives had value and worth.

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