My earliest memories of Wimbledon fortnight are of having to let myself silently into the house after school and then commando-crawl across the sitting room on my way to the kitchen for a snack, so that I didn’t obscure a potential match point for my mother and her viewing friends. They were tense times, made tenser by the fact that it was the Björn Borg-John McEnroe era. One half of the audience would be rooting for the silent Swede (including Mum, on the grounds that “he’d not get under your feet”) and the other for the hyperactive “You cannot be serious – the ball was in!” American. “Oh, be quiet,” Mum and I would snarl, in one of our rare moments of temperamental unity.
The BBC’s three-part documentary Gods of Tennis allows fans to relive those relatively halcyon days, with its first episode focusing on the slightly earlier era of Billie Jean King and Arthur Ashe. To examine the impact the pair had on the game, contemporaneous footage is interspersed with interviews with King (Ashe died in 1993), sports journalists, other players and champions (including Sue Barker, Pam Shriver, Chris Evert, Martina Navratilova and, in later instalments, Borg and McEnroe themselves). And, for some reason, Miriam Margolyes.
