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The Guardian - UK
The Guardian - UK
Lifestyle
Eddy Frankel

Genuine Fake Premium Economy review – brilliantly obnoxious millennial rage at a rigged financial world

Scene from Jenna Bliss, a video artwork by True Entertainment showing two people together in an art gallery.
A familiar depiction of a gluttonous world … A still from True Entertainment by Jenna Bliss. Photograph: Felix Gaudlitz

This is a bitter, resentful exhibition by a handful of bitter, resentful artists. Americans Jenna Bliss, Buck Ellison and Jasmine Gregory were born in the mid-1980s, coming of age in a world at its financial peak, but becoming adults just as the 2008 financial crash turned everything to crap. They saw a land of opportunity and boundless possibility, and then had it all kicked out from under them. Of course they’re resentful; we all should be.

Jenna Bliss’s first video here sets the mood. Shaky, handheld images of the New York skyline and public artworks in the city’s financial district are overlaid with text such as “We survived Y2K but now the real world source code is malfunctioning” and “Save the banks to save us all”. That’s the vibe: millennial despair at a world built to keep the banks rich and the rest of us placid.

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