Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Conversation
The Conversation
Lifestyle
Eliza Goodpasture, PhD candidate in the History of Art, University of York

Galleries continue to erase women artists in their blockbuster exhibitions

The Blue Room by Suzanne Valadon, an important post-impressionist artist. Wikimedia

The National Gallery recently announced its summer 2023 exhibition, After Impressionism, claiming the show will celebrate the “towering achievements of Cezanne, Van Gogh, Gaugin and Rodin” among others. The response on social media to this announcement was largely, “where are the women?”

Some on Twitter offered suggestions of women who should be included in the exhibition, including Suzanne Valadon, Paula Modersohn-Becker, Gabriele Münter and Sonia Delaunay, to name just a few. The National Gallery tweeted the same text to several of these replies: “We have announced a small number of confirmed loans to the exhibition. This includes Camille Claudel’s Imploration. We will share more loans, including major works by women artists, closer to the opening.”

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.