The “fun” in the title is short for funeral, a reference to the family undertaking business inherited by Alison Bechdel’s father. But there is some fun, too, in this heart-filled musical adaptation of the cartoonist’s illustrated memoir. First seen in the UK in 2018 and now revived by director Sarah Frankcom in a fluid in-the-round staging, it brings a light touch to a story freighted with emotion.
Published in 2006, the graphic novel describes the author’s sexual awakening – she kissed a girl and she liked it – one that coincided with the discovery of her father’s clandestine gay life. In the musical adaptation by Lisa Kron (book and lyrics) and Jeanine Tesori (music), it becomes a layered reckoning of past and present, as the 43-year-old Bechdel (Jodie McNee) reflects on her student self (Alice Audrey O’Hanlon) reflecting on her childhood self (Felicity Moore at my performance).
