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The Guardian - UK
The Guardian - UK
Entertainment
Zach Schonfeld

From Prince to Michael Jackson: why are the most controversial documentaries getting canned?

‘Multiplying paradoxes’ … Prince
‘Multiplying paradoxes’ … Prince Photograph: Chris O’Meara/AP

It can be a painful thing, acknowledging that our heroes are both human and flawed, but Ezra Edelman spent five years doing just that. The film-maker behind 2016’s sprawling, Oscar-winning OJ: Made in America, was at work for Netflix on what, by all accounts, would have been the definitive Prince documentary: a nine-hour behemoth drawing upon dozens of interviews with the late icon’s associates and rare access to his personal archive.

The film – according to the few who’ve seen a rough cut – built a layered portrait of Prince’s immense genius and complexities, including a darker side concealed by his playfully eccentric persona: his allegedly cruel treatment of girlfriends and female proteges; his demanding ruthlessness as a bandleader. “We’re asked to sit with Prince’s multiplying paradoxes for many hours, allowing them to unsettle one another,” wrote Sasha Weiss, of the New York Times Magazine, after viewing it.

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