James Mangold’s film “A Complete Unknown,” nominated for eight Oscars, captures the elusive, enigmatic quality of Bob Dylan in the early 1960s: the years he emerged as a major musical and cultural phenomenon. A scant few years after he came to New York from Minnesota, and legally changed his name from Robert Allen Zimmerman, Dylan transformed American music.
Especially “unknown” and baffling is Dylan’s religious and spiritual identity, one that has undergone many transformations. Mangold’s film avoids these questions, as does his 2005 film “Walk the Line,” a Johnny Cash biopic. The filmmaker – and much of Hollywood in general – must believe religion isn’t good at the box office.
