“Beauty is like war,” says Gary Oldman, in character, in Paolo Sorrentino’s “Parthenope.” “It opens doors.”
“Parthenope,” in which Oldman plays the author John Cheever, premiered Tuesday in Cannes. It's just one of the films at this year’s festival to consider beauty: its disruptive power, its cost and the sometimes dangerous portals it might pry ajar. After the competition lineup — the films vying for the Palme d’Or — got a lackluster start last week, Cannes was enlivened by a string of films both fleshy and carnal.
