When the University of Queensland Press cancelled the publication of Wiradjuri poet Jazz Money’s book Bila: A River Cycle because of a blog post by its illustrator, 60 UQP contributors signed a letter of protest. Some declared they would no longer publish with UQP. Fourteen staff members issued a statement decrying “the precedent the University of Queensland has set”.
Had HarperCollins, a publisher owned and controlled by the Murdoch family, nixed an Indigenous children’s book, the decision would perhaps not have been experienced as such a betrayal. UQP, however, boasts on its website of “publishing literary works, poetry and Aboriginal Torres Strait Islander stories”: scarcely an orientation one usually associates with politicised book pulping.
