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The Conversation
The Conversation
Nada Saadaoui, PhD Candidate in English Literature, University of Cumbria

For Jane Austen and her heroines, walking was more than a pastime – it was a form of resistance

In Pride and Prejudice (1813), when heroine Elizabeth Bennet arrives at Netherfield Park with “her petticoat six inches deep in mud”, she walks not only through the fields of Hertfordshire, but into one of literature’s most memorable images of women’s independence.

Her decision to walk alone, “above her ankles in dirt”, is met with horror. “What could she mean by it?” sneers Miss Bingley. “It seems to me to show an abominable sort of conceited independence.” And yet, in that walk – unaccompanied, unfashionable, unbothered – Elizabeth reveals more about her spirit and autonomy than any parlour conversation could.

For Austen’s heroines, independence – however “abominable” – often begins on foot. Elizabeth may be the most iconic of Austen’s pedestrians, but she is far from alone. Across Austen’s novels, women are constantly in motion: walking through country lanes, walled gardens, shrubberies, city streets and seaside resorts.

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