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The Guardian - AU
The Guardian - AU
National
Imogen Dewey

Five Great Reads: why some books are beyond help, plus arguments about happiness and apples

Cezanne, Paul (1839-1906): Still Life with Fruit Dish, 1879-80 New York Museum of Modern Art (MoMA)
‘Sorry Cézanne, but still lifes are dull as hell’ … is the view of one of our writers. Not mine. Pictured: a detail from Cézanne’s Still Life with Fruit Dish (1879-80). Photograph: The Museum of Modern Art, New York/Scala, Florence

Sydney, where I’m writing this from, is having a late, baking burst of summer: in the evenings, bats and rats flit across my back yard (by sky and fence, respectively), lazy shadows jagging towards the last of the light. In the bright, cicada-filled mornings, people plan how they might make the most of – or avoid – the sun, drink their coffee, and stand squinting at the lights, idly thumbing over their phones and trying to make sense of the week.

And what a week: (another) bad one for banks! Some very expensive boats for Australia! An Oscar for Paul Keating! A ratpocalypse for Paris! An OnlyFans doppelganger for … Adrian Chiles?

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