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The Guardian - UK
The Guardian - UK
Entertainment
Anne Billson

Feisty, frail or fiendish: why do film-makers still insist on shoving older characters into stereotypes?

Celia Imrie, Ben Kingsley, Helen Mirren, Pierce Brosnan in The Thursday Murder Club
Real people! … Celia Imrie, Ben Kingsley, Helen Mirren and Pierce Brosnan in The Thursday Murder Club. Photograph: Giles Keyte/Giles Keyte/Netflix

A decade and a half ago, in 2009, I watched over 300 films, and I counted only three featuring senior citizens in significant roles. But the times they are a-changing, because leading characters of pensionable age are all over the place nowadays, whether solving crimes in The Thursday Murder Club; turning the tables on swindlers in Thelma or The G; wrestling with unreliable memories in The Father or Familiar Touch; or preying on other inmates or staff in The Home or The Rule of Jenny Pen.

Not long ago, the screen was monopolised by smooth-skinned teens and twentysomethings, but now it has been infiltrated by creased faces imbued with the sort of personality that can only be accrued over decades of experience and with minimal recourse to cosmetic surgery. And not just as non-player characters but in starring or pivotal roles in the narrative; no longer to be condescended to and patted on the head simply for lasting the course, but as people just like the rest of us. Real people!

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