Despite a 30-year-plus discography and a slew of undeniable classics (Sittin’ Up in My Room, The Boy Is Mine, modern R&B blueprint What About Us?) and deep cuts feted by the likes of Solange, Kehlani and Normani, there’s a sense that Brandy, the fan-anointed Vocal Bible, is still underrated. Her vividly told and occasionally harrowing memoir, Phases, co-written alongside Gerrick Kennedy and out on Tuesday, goes some way to explaining why that might be.
As well as detailing her formative years in Mississippi and later California, where she learned her trade singing in church choirs and at youth groups, and later her meteoric rise as a teenage superstar, Phases paints a picture of a young woman whose insecurities were often exposed and abused by others. It also spotlights issues around duty of care in the music industry; in 1999, while nursing an addiction to diet pills, and juggling her role on the hit teen sitcom Moesha with a relentless recording and touring schedule, Brandy suffered a nervous breakdown at the age of just 20.
