In the mid-90s, the Roots’ drummer Questlove was approached to work on the first album by a new soul singer. He turned the offer down out of hand: “I was like, ehhh, soul singers in the 90s – whatever,” he later remembered. “I’m not doing this. Nothing about soul singing had moved me, from any 90s offering, the same way it did with Otis Redding, Stevie Wonder, Lou Rawls.”
A year later, with D’Angelo’s debut album Brown Sugar on the shelves, Questlove had radically reconsidered his opinion: when he spotted the singer in the audience at a show the Roots were playing, he “thwarted and threw off the entire show” by suddenly playing “an obscure Prince drum roll” in a (successful) attempt to attract his attention. “The only person that mattered to me that night in the room was D’Angelo,” he admitted.
