This year has seen her battle shared trauma through the exorcism of shimmering red fabric in Mother Mary. 2026 has also witnessed her navigate corporate threats to save a fashion magazine (The Devil Wears Prada 2) and fight off pesky suitors hungry for her husband's throne (The Odyssey).
Now, Anne Hathaway is striving to survive the suburban anxiety of 1980s America by taking a stotgun to a dinosaur's face in David Robert Mitchell's The End Of Oak Street.