It takes a unique mind to make a psychosexual fairytale featuring a leather-clad serial killer, futuristic vistas, and Tom of Finland levels of homoeroticism and make it boring. But Nicolas Winding Refn has achieved just that.
Ten years since his last feature (The Neon Demon), the director of Drive and Only God Forgives has indulged in some of his worst tendencies by making Her Private Hell a very public one.
