Mere months after Robert Eggers returned vampires to their Gothic roots with Nosferatu, his stylish exhumation of F.W. Murnau’s 1922 silent German Expressionist classic Nosferatu: A Symphony of Horror, it’s now Luc Besson’s turn to sharpen his fangs.
"I'm not a fan of horror films," the French filmmaker recently told Le Parisien newspaper about his take, Dracula: A Love Tale, which straddles several centuries in the life of the immortal and cinematically ubiquitous blood-sucking count. "Nor of Dracula."