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Louder
Louder
Entertainment
Emma Johnston

"Epidemically catchy, fearlessly camp and glam, air-punch anthemic and just the right level of daft": The Struts' Pretty Vicious

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If the company you keep was a measure of success, then The Struts would be on an unstoppable trajectory to the stars. Dave Grohl is an admirer and very vocal supporter. They’ve collaborated with everyone from Kesha to Tom Morello, Def Leppard to Paris Jackson – a cross generational, cross-genre crew of disparate characters if ever there was one. They’ve supported the Rolling Stones and Guns N’ Roses, and frontman Luke Spiller sang with Queen at the Taylor Hawkins tribute concerts in LA and London. 

Yet despite all this and also a reputation for spectacular live shows, their profile outside the rock-scene bubble has never quite matched their promise. Pretty Vicious could be the album to change all that. Opener Too Good At Raising Hell straddles the line between pop and rock, cherry-picking the best things about both. Epidemically catchy, fearlessly camp and glam, air-punch anthemic and just the right level of daft, it would sit as comfortably alongside the 80s Sunset Strip big players as it would alongside Robbie Williams (another past collaborator) at the height of his Vegas-shagging fame.

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