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The Guardian - US
The Guardian - US
Entertainment
David Renshaw

‘Endlessly quotable’: why Wayne’s World is my feelgood movie

Mike Myers and Dana Carvey in Wayne’s World
Mike Myers and Dana Carvey in Wayne’s World. Photograph: Album/Alamy

When the conversation of the most overrated band in history crops up I often want to put Queen forward as my suggestion. Their omnipresent hits represent the worst of bands who favour stadium-sized grandeur over true ambition. However, I can never truly get behind the idea of trashing Freddie and co when their music helped create one of my most beloved scenes in cinema history.

Early in 1992’s Wayne’s World, a bunch of rockers squeeze into an AMC Pacer with custom flames painted on the side. As they drive past the automarts, car washes and beef stands of downtown Chicago, Bohemian Rhapsody plays on the car stereo. The song’s operatic verses are used for laughs (the “Let me go” line becomes a cry for help from a friend who is partied out and might “honk” in the backseat) while the breakdown in the middle creates space for a spot of high-speed headbanging. To me it’s as thrilling a car scene as anything in Bullitt or the Mad Max franchise.

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