This poignant drama was clearly made on a dinky budget that probably stretched to barely more than crisps and squash on the catering tables. And yet thanks to subtle, considered performances, a finely milled script, inventive craftsmanship and a deep sense of empathy for the precarious lives of refugees, it packs a considerable wallop.
The story starts with reticent, clearly traumatised Nigerian Isio, played by Ronke Adekoluejo, who is subtle throughout in a role that could easily have been done with too broad a brush. Isio arrives at a women’s shelter for asylum seekers in the UK where she is assigned to share a room with Farah (a luminous Ann Akinjirin), who is already a few steps ahead of Isio in the legal process that permits applicants to appeal twice. (If the second appeal isn’t approved, applicants are immediately deported.) Although Isio is a bit standoffish at first, gentle Farah shows her roommate the ropes, warning her not to trust the guards, to watch out for the tough women dealing drugs in the yard, and to try not to lose hope.
