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The Guardian - UK
The Guardian - UK
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Kate Maltby

Do we really want Clueless updated to reflect our dark, digital age? Ugh! As if!

Emma Flynn, centre, as Cher Horowitz in trademark yellow-and-black tweed miniskirt, with the cast of Clueless, The Musical at the Trafalgar Theatre, London.
Emma Flynn, centre, as Cher Horowitz with the cast of Clueless, The Musical at the Trafalgar Theatre, London. Photograph: Pamela Raith

Who needs to learn to park? “Everywhere you go has valet!” Cher Horowitz, teen heroine of 1995 cult movie Clueless, is one of the most spoilt and entitled characters ever to have appeared on screen. She is also, with her irrepressible urge to solve other people’s problems and her coltish steps towards self-knowledge, one of the most endearing. Millennial women like me, who grew up watching the movie again at every sleepover, will defend her against all comers.

Now, Clueless is the latest millennial coming-of-age movie to hit the West End as a stage musical, opening to critics last week at Trafalgar Theatre. It follows Mean Girls and The Devil Wears Prada, both of which opened in London last year, each built to replicate the success of the repeatedly revived Legally Blonde: The Musical. (Sadly, Jennifer Coolidge has yet to cameo.)

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