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The Conversation
The Conversation
Lifestyle
Vanessa Marr, Principal Lecturer in School of Art and Media, University of Brighton

Disenchanted: Disney attempts to break stereotypes of motherhood only to reinforce them

Disney

Mothers in fairy tales have a way of being absent, typically through untimely deaths (think Cinderella, Snow White or Beauty and the Beast) or thanks to storylines that position them as background characters. Disney’s Disenchanted turns this on its head. Here, at last, we have a fairy tale where mum takes centre stage, as well as left and right, as Good Mother, Wicked Stepmother, and the ever-entertaining and power-hungry Queen Mother.

Usually, fairy tales end when the princess gets her guy, as it did in the first film, Enchanted. But this sequel shows what happens next, following the lead character Giselle who is blissfully married to her true love Robert. She’s raising their new baby Sofia and her now teenage stepdaughter Morgan. But happiness is not quite all it promised to be. Teenagers are hard work and so are babies – something needs to change.

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