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The Guardian - UK
The Guardian - UK
Entertainment
Ammar Kalia

Debit: The Long Count review – Mayans, machine learning and music

Debit
Embracing dissonance … Debit Photograph: PR handout

There is an uncanniness in listening to a musical instrument you have never heard being played for the first time. As your brain makes sense of a new sound, it tries to frame it within the realm of familiarity, producing a tussle between the known and unknown.

The second album from Mexican-American producer Delia Beatriz, AKA Debit, embraces this dissonance. Taking the flutes of the ancient Mayan courts as her raw material and inspiration, Beatriz used archival recordings from the Mayan Studies Institute at the Universidad Nacional Autónoma de México to create a digital library of their sounds. She then processed these ancient samples through a machine-learning program to create woozy, ambient soundscapes.

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