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The Guardian - UK
The Guardian - UK
Lifestyle
Philip Oltermann European culture editor

Death, power and paranoia: painting that shocked German society finally returns to Berlin

A detail of a painting of a skeleton wearing a cloak and crown and holding a sword
A detail of Mors Imperator by Hermione von Preuschen, 1887. Photograph: Mika Wißkirchen / SBM

Wrapped in a cloak with ermine fur and wearing a jagged iron crown, a hulking skeleton rests one foot on a globe and knocks over a royal throne with a dramatic flick of its ivory wrist.

Entitled Mors Imperator (“Death is the Ruler”), the German artist Hermione von Preuschen’s 1887 symbolical painting was meant to express the transience of fame and power. But authorities feared the picture could be seen as mocking the ageing German Emperor Wilhelm I, who then had recently turned 90, and refused to accept its submission to the Berlin Academy of the Arts’ annual exhibition that year.

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