You’d be forgiven for thinking that we didn’t need another TV series about the drug kingpin Pablo Escobar’s life, and that it’s been milked for all its worth in popular culture. Escobar’s murderous Medellín cartel was most ruthless in the 1980s and 90s – but this century alone, the Colombian druglord and politician’s biography has inspired numerous books, Hollywood films, the Netflix series Narcos, and even the title of Kanye West’s 2016 album Life of Pablo. The new Spanish language series Dear Killer Nannies, however, manages to find a new and unexpected way into the life of an archetypal villain, which focuses very little on the bloodshed that has made his life so ripe for movies and television. In terms of genre, the show – co-created by Escobar’s son Juan Pablo Escobar – is far more coming-of-age than action.
Instead of following the usual beats that mark Escobar’s rise, fall and eventual death (during a shootout with Colombian special forces), our way into the story is seven-year-old Juan Pablo, also known as “Juampi”. Juampi is sweet, sensitive and soft around the edges in the way most boys are before being exposed to the ravages of patriarchy. We meet Juampi as his head bobs above the surface of a lake, beaming and soaking up the sun, when a speedboat zooms into frame, headed straight for him, causing him to panic. The boat swerves at the last minute, narrowly avoiding him. Enter: Juampi’s “nannies”. These are associates of his father, who double as childcare while he’s out of the country attending to cartel business. What could possibly go wrong in such an arrangement?
