One hundred and fifty years on, Wagner’s Ring Cycle remains the most ambitious project an opera company can undertake. It doesn’t seem to have phased Grange Park Opera, however, as the company embarks on a five-year odyssey with full cycles in the diary for 2030.
With its aquatic opening, magic tricks and grand procession across a rainbow bridge, Das Rheingold poses a considerable technical challenge. All credit to Charlie Edwards’s clear-sighted production then that the storytelling remains comprehensible even if the special effects hint at modest budgets. His set designs, especially the scene where the Rhinemaidens appear to float behind a scrim, pay homage to the 1876 Bayreuth premiere, while Industrial Revolution references bring to mind Patrice Chéreau’s iconic centenary Ring.
