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The Guardian - UK
The Guardian - UK
Entertainment
Clive Paget

Dance Reimagined review – LPO and Wayne McGregor are a dream team, but AI lets them down

Edward Gardner conducting the LPO in Harnasie at the Royal Festival Hall.
Edward Gardner conducting the LPO in Harnasie at the Royal Festival Hall. Photograph: Mark Allan

Keen to think outside the box, the London Philharmonic Orchestra is presenting a month-long festival exploring the ways humans experience and express themselves though music. On paper, Dance Reimagined was a bright idea: three works with movement at their heart, including a world premiere from LPO composer-in-residence Tania León and Wayne McGregor’s reinvention of a Szymanowski ballet in collaboration with sculptural designer, film-maker and AI developer Ben Cullen Williams.

Raíces, Spanish for “origins”, is an exploration of León’s heritage which, she explains, is Spanish, Cuban, Chinese and French: “Like a jambalaya.” Opening with wheezy ethereal strings, the music moved in and out of vistas, some urban, one a steamy forest bristling with birdsong. Although there were clear echoes of Latin and jazz, the music was shifty, its syncopations frequently catching the ear off balance. Occasionally pretty but never saccharine, it hinted at mysterious, sun-dappled vistas, holding the attention throughout. Edward Gardner’s definitive beat led a scrupulously prepared performance.

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