In August 1894, at the end of a month-long stay to research his embryonic novel, Bram Stoker wrote in the visitors’ book at the Kilmarnock Arms on the Aberdeenshire coast that he had been “delighted with everything and everybody” and hoped to return soon.
According to new research, though, the feeling was not entirely mutual. Stoker, a genial Irishman usually known for his cheeriness, was experimenting with what would become known as “method acting” to get under the skin of his new character, one Count Dracula. Local historian Mike Shepherd, who has spent seven years researching Stoker, says the author’s links with the London theatre inspired Stoker to try inhabiting his character in a different way.
