In F1: The Movie, the roar of the engines isn’t the only thing pushing boundaries. Behind the blistering speed and visceral action lies a groundbreaking collaboration between Hollywood filmmakers and Sony’s top engineers, one that has changed high-speed cinematography.
Director Joseph Kosinski (Top Gun: Maverick) and Oscar-winning cinematographer Claudio Miranda, ASC, are no strangers to capturing speed. But with F1, they faced a challenge unlike any before: How do you put the audience inside a Formula 1 car, going 200 miles per hour, without sacrificing cinematic image quality?
