As I stand and look at a six-metre skeleton of a domestic cat named Felix, the words of Alice in Wonderland spring to mind: “Curiouser and curiouser.” The sculpture is part of a thought-provoking and enchanting exhibition at the Centre Pompidou-Metz, and this isn’t the first time I’ve felt a sense of wonder during my weekend in this lesser-known city in north-eastern France. While most of us know what to expect from a city break in, say, Paris, Lyon or Bordeaux, Metz throws up surprises at every turn.
The giant feline sculpture is the work of Italian visual artist Maurizio Cattelan (of banana-duct-taped-to-a-wall fame), whose works form part of Dimanche Sans Fin (Endless Sunday), an exhibition he has curated that brings together more than 400 works from Paris’s Centre Pompidou, which closed for a five-year renovation last October. Each piece depicts a different way the “day of rest” could be interpreted, whether it’s the innocent play of Picasso’s sculpture Little Girl Jumping Rope (1950-1954) or Max Ernst’s figure playing chess in the King Playing with the Queen (1944).
