"This is the Kronos Quartet and Asha Bohsle. I love this album," smiles Paul Noble, seated on a stool opposite me wearing a cloth cap.
From the industrial ceiling hang small spotlight cylinders, super high-spec speakers and a glitter ball. A projector beams mildly psychedelic imagery onto one wall, while another boasts a generous spirits collection that basks invitingly in the effulgence.
