At 33, the French writer Édouard Louis has already seen all seven of his slim novels translated into English. In his breakout debut, The End of Eddy (2017), and again in Change (2024), he wrote about being the promising child of a poor family, the bullied gay son who became a bestselling author. Several of his other books have offered sympathetic sociological portraits of his parents: a father destroyed by physical labour, a victim of French healthcare and housing subsidy cutbacks, and a mother who, after raising numerous children in poverty, fled first Louis’s father and then, in Monique Escapes, published earlier this year, his abusive successor. Now, in Collapse, translated by novelist Tash Aw, Louis describes his eldest brother’s death, at 38, from complications relating to alcoholism.
“I felt nothing at the announcement of the death of my brother,” he begins; “not sadness or despair or joy or pleasure.” The reasons for his coldness soon become clear. His brother was violently homophobic. His drinking at one point prevented Louis from sleeping ahead of a crucial exam. After The End of Eddy came out, his brother went looking for him with a baseball bat. So when Louis talks with his mother and sister about how to pay for his brother’s funeral and admits, “yes, I would have let him be buried like a dog”, we understand why.
