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The Guardian - UK
The Guardian - UK
Entertainment
Fiona Maddocks

Classical home listening: Tine Thing Helseth’s Seraph; Lost in Venice with Infermi d’Amore

Tine Thing Helseth.
‘Lyricism’: Tine Thing Helseth. Photograph: Anna-Julia Granberg
Tine Thing Helseth Seraph

• The Norwegian trumpet star Tine Thing Helseth resists boundaries in music, as long as any given work has a potential for lyricism, a hallmark of her playing. Her new album, Seraph (Lawo), with the Norwegian string group Ensemble Allegria, embraces the past – Erik Satie’s Je te veux and Francis Poulenc’s Les chemins de l’amour – and a less familiar, predominantly tonal present: the American Eric Ewazen, her fellow countryman Rolf Wallin and the Armenian Alexander Arutiunian. The Scottish composer James MacMillan’s three-movement concertino Seraph (2010) – written originally for Alison Balsom – gives the album its title, its muscularity and vigour offsetting the more immediate appeal of most of the other works.

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