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The Guardian - UK
The Guardian - UK
Entertainment
Leslie Felperin

Children of the Wicker Man review – how the folk-horror classic haunted the family that made it

Brothers and friends hold hands, dancing round a large bonfire with sparks flying at dusk
Spawning a monster hit … Children of the Wicker Man. Photograph: Courtesy of Hardy Pictures

This documentary is a collaboration between Justin Hardy and Dominic Hardy, two of film director Robin Hardy’s children (he had seven in all, and was married five times), and it delves into the legacy of both their father and his most enduring work, 1973 folk-horror classic The Wicker Man. The latter still stands today, for all its imperfections and peculiarities, as one of the most unsettling and paradoxically influential British films of all time, despite being a box-office flop on its initial release. This latest work is partly an account of The Wicker Man’s troubled production – a story that’s been told in books and journalism a fair few times already – and its strange reemergence as a cult movie-cum-fetish object, and partly a therapeutic exercise for the brothers themselves, full of raw feeling that’s sometimes painful to watch.

However, while the brothers’ willingness to share their pain remains admirable, their film feels hampered by omissions and silences. On some level it is haunted by the ghosts of significant players in the story who have passed away, including Hardy himself and screenwriter Anthony Shaffer, as well as other key figures who are alive but aren’t interviewed here. Where, for example, are the brothers’ other siblings? Allan Brown, author of Inside The Wicker Man: How Not to Make a Cult Classic, is mentioned in several juicy anecdotes but is also absent, while somewhat bafflingly there’s a fair amount of an interview with Scottish actor Bill Paterson, who was almost cast in the original film but wasn’t.

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