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The Guardian - UK
The Guardian - UK
Entertainment
Arusa Qureshi

Charlene Kaye: Diversity Shredder review – killer riffs slay toxic music industry

Charlene Kaye laughs and raises her hands beside her face, wearing a graphic t-shirt, lit by blue neon light
Magnetic … Charlene Kaye. Photograph: Luci Stansfield

In an industry that claims to be inclusive, it’s so easy to feel tokenised. For musician and comedian Charlene Kaye, it has been an uphill battle feeling like the token queer Asian female guitar player, in demand to cater to people’s otherwise superficial concern around diversity, as well as their attempts at being perceived as politically conscious. But if you’re booked and busy, and genuinely skilled at what you do, does it matter if the requests come in through slightly nefarious means?

Diversity Shredder is a fun and feverish romp through Kaye’s journey of finding her artistic voice, and what it means to be an Asian American musician in the context of a very broken and unbalanced capitalist system. Using well-crafted, multi-genre musical comedy along with her masterful guitar skills, Kaye reflects on the mental gymnastics at play when you’re a person of colour trying to navigate a career in music, when all people really seem to want is Cassandra from Wayne’s World.

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