There is a point during Tamara Stepanyan’s My Armenian Phantoms when the documentary cuts to the final scene of the 1980 Soviet film, A Piece of Sky, in which the orphaned lead character, joyfully rides a horse and cart through the town that had long shunned him and the sex worker he married as social outcasts.
A flock of birds are then framed gliding through the pristine blue sky above. It’s a sequence depicting the desire to overcome the forces that seek to limit and constrain which lay at the heart of the director Henrik Malyan’s new wave critique.
