Scenic designer Scott Pask once had seven shows running simultaneously on Broadway. Working out of his New York studio, he has designed more than 80 stage productions, has won a stack of awards (for the likes of The Pillowman and The Book of Mormon) and is in constant demand. But he escapes, as often as he can, to a house in the foothills overlooking Tucson, a city he grew to love as an architecture student at the University of Arizona. He describes it as a sanctuary, a place to reboot and commune with nature, especially during the 16 months he spent there when theatres closed during the pandemic. For someone who grew up in the Wild West outpost of Yuma, it’s a return to his roots.
