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The Guardian - UK
The Guardian - UK
Entertainment
Kate Wyver

Blue Now review – remarkable retelling of Derek Jarman’s final film

A stillness and quiet intensity … Blue Now
A stillness and quiet intensity … Blue Now Composite: Jason Dimmock, Camilla Broadbent, Roman Manfredi, Joshua Virasami, John Hollingsworth

A mesmeric reckoning with the devastation of Aids, Blue Now is an ode to an extraordinary artist and his lost generation. Created in 1993, completed just a few months before his death, Blue was Derek Jarman’s final feature film. Originally voiced by his long-term collaborators and featuring nothing but a wide expanse of International Klein Blue, the film is a searing collection of diary excerpts from a period when Aids took his friends, his sight – he began to be able to see only in blue – and when he knew it would soon take his life.

In four performances across four cities, the script is today given new, vivid life by Russell Tovey, Joelle Taylor, Travis Alabanza and Jay Bernard. These prominent queer voices from across the worlds of theatre and poetry sit in front of a large blue screen, perfectly still in the near-darkness, a heady, tragic lullaby on their lips. Where Jarman’s original was a rejection of the visual, Neil Bartlett’s new presentation gives us a little more to look at. The light gently bounces off the faces of the performers and original composer Simon Fisher Turner, and Jarman’s words turn into a fluid, lyrical dance in the hands of BSL interpreter Ali Gordon.

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