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The Guardian - US
The Guardian - US
Entertainment
Matt Shaw

‘Biggest band that ever lived’: inside the Grateful Dead art show

Psychedelic poster
Grateful Dead, Egypt 1978, by Alton Kelley. Photograph: The Chambers Project, via Colin Day

Artist Bill Walker is one of those guys who always seems to be in the right place at the right time. Having met Phil Lesh, the Grateful Dead bassist and avant-garde classical composer, as a student at Nevada Southern University (now the University of Nevada, Las Vegas), Walker was invited in 1967 to make an album cover for the band’s second album, Anthem of the Sun. This experience led to an epic LSD and ayahuasca trip in the Valley of Fire outside Las Vegas over New Year’s Eve and when Walker returned to San Francisco, he painted Anthem of the Sun, complete with figures he came across in the desert.

The Anthem of the Sun painting visually demonstrates the intense innovation that happened in the psychedelic revolution, when music was electrified and LSD became central to the burst of culture that defined the 1960s. The Grateful Dead encapsulated this spirit in their music and came to be considered the most American band of all time for being at the center of the psychedelic movement and its transition from the Beat generation that preceded it.

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