In Sebastiane, Derek Jarman and Paul Humfress’ 1976 film, the soon-to-be-martyred Roman soldier is warned by his friend Justin to stop fighting against their pagan authorities. “The truth,” Sebastiane responds, “is beautiful”. As they speak, Justin tends to the wounds of the third-century saint in an act of love that has the potential to endanger both of them if they are caught by their tyrannical overseer or their fellow soldiers. This moment of intimacy is luxuriant; where there could be a palpable sense of terror, Jarman and Humfress instead focus on the tenderness between two defiant men.
