Despite the necessity of filling in the gaps of Black American history, viewers could be forgiven for feeling a little fatigued, after a decade of highly worthy but often gruelling stories of slavery, civil rights abuses and institutional racism, from 12 Years a Slave to Till to The Hate U Give to Get Out, and many more besides.
Nickel Boys is something very different: rather than more “trauma porn”, it gives us direct emotion, poetic imagery and radical invention. It owes more to Terrence Malick and Gaspar Noé than Ava DuVernay.
