Playwright and performer Malaika Kegode tops and tails this show for Theatre Royal Plymouth with a message about the allure of storytelling. In a festival city bursting at the seams with stories, it is an unnecessary observation. A more important question is about which stories we choose to tell, which resonate and which pass us by. Why, for example, did Kegode want to write a story – and it is a story rather than a play – about the strange disappearance of a maudlin folk singer?
She focuses on the subsequent investigation by Meles Costas, an under-qualified true-crime podcaster, living in the shadow of a high-achieving and terminally ill mother. And she laces her story with gothic fairytale imagery: folk songs with dark-magic properties, human-to-animal transmutation and a hint of witchcraft.
