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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Bad Boys: Ride or Die review – Will Smith bromance goes big on Pointless Action Explosions

Will Smith, left, and Martin Lawrence in Bad Boys: Ride or Die.
Will Smith, left, and Martin Lawrence in Bad Boys: Ride or Die. Photograph: Frank Masi/AP

Martin Lawrence, America’s lost hero of broad comedy, has had his movie profile kept on a kind of life-support by the near 30-year-old Bad Boys franchise; but some of us furtive Lawrence fans still sheepishly bond over re-watchings of the great man’s masterpiece, his 2001 merrie England adventure Black Knight alongside Tom Wilkinson. Now Lawrence appears in the fourth Bad Boys film in the remarkable situation of being in better career shape than his Oscar-winning co-star Will Smith, who is still in disgrace for the Slap Heard Around the World and then, just as importantly, the F-Bombs Heard Around the World So Everyone Knew the Slap Was Real.

This film’s production having been delayed by The Controversy, Lawrence and Smith are back as rule-breaking cops Marcus Burnett and Mike Lowrey; first seen in 1995, they are now the Bad Late-Middle Aged Men. Our two heroes end this film by nostalgically invoking the lyrics of Run DMC’s Peter Piper: they’re not “bad meaning bad, but bad meaning good”.

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