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The Guardian - UK
The Guardian - UK
Entertainment
Gwilym Mumford

The Guide #21: has the Academy stopped taking the Oscarbait?

A best picture dark horse? … Benedict Cumberbatch and Jesse Plemons star in The Power of the Dog
A best picture dark horse? … Benedict Cumberbatch and Jesse Plemons star in The Power of the Dog Photograph: Kirsty Griffin/AP

Every year, after the nominations for the Academy Awards are announced, our brethren at Guardian US drop their roundup of Oscarbait failures, highlighting those poor films that didn’t earn any nominations despite trying the damnedest to do so. You know the type: big stars, lavish production values, a period setting, worthy subject matter, and a sense that they have been genetically engineered to win over Academy voters.

This year, per the list, there seem to be more Oscarbait failures than ever: take your pick from Dear Evan Hansen, George Clooney’s The Tender Bar, a Mark Wahlberg drama whose existence I wasn’t aware of until 38 seconds ago, and not one but two Ridley Scott films. There’s even that most dead cert of Oscarbait dead certs: a biopic, in the form of Jennifer Hudson-starring Aretha Franklin life story Respect. Strange days indeed.

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