In Ian McEwan’s Atonement (2001), aspiring writer 13-year-old Briony Tallis glimpses a world of opaque “adult emotion”. Holding a pen and blank paper before her, she feels a powerful impulse to write in order to impose order and meaning on adulthood’s slippery uncertainties.
Earlier on that hot summer’s day in 1935, she had witnessed a perplexing scene of seeming “ugly threat”. Her older sister, Cecilia, undressed in front of their cleaning lady’s son (and fellow Cambridge graduate) Robbie Turner. She then plunged, in her underwear, into an ornamental fountain.
Briony’s urge to write is triggered when she reads the private note she had been tasked with delivering from Robbie to Cecilia. Within, she is shocked to discover Robbie’s desire for Cecilia, expressed through use of the unutterable “c” word. Later, looking through the door of their darkened library, Briony mistakenly believes she sees Robbie committing a violent assault on her sister.
