
Given that Andrew Lloyd Webber’s back catalogue includes musicals about randy trains (Starlight Express) and a feline death cult (Cats), it’s kind of surprising that his weirdest ever show is about the relatively normal subject of love affairs in rural France. But with its skin-crawlingly uncomfortable age-gap romances, Aspects of Love still finds plenty of ways to disconcert an audience lured in by the star appeal of musical theatre legend Michael Ball.
When it premiered in 1989, Ball played the role of smitten young soldier Alex. His big number, “Love Changes Everything”, made a dent in the UK singles chart and became one of his signature songs. Superficially, it makes perfect sense to revive this show now that Ball’s old enough to play another of the show’s pivotal roles: Alex’s rival in love, his rakish uncle George. He’s on wonderful form here, blending spine-tingling moments of virtuosity with the more low-key naturalness this musical’s nimble score demands. But alas, the casting is pretty much the only thing that makes sense about this wild narrative of bohemian bed-hopping.